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 PBS just 
showed a 6-minute Norwegian film called "80 Degrees East of 
Birdland." 
An American 
jazz band -- very bebop, four out of five of these guys are black, there are 
berets and North African headgear -- gets lost in the deep nowhere of rural 
Norway.  
A local old 
geezer who doesn't speak a word of English takes them in and helps get them 
straightened out. 
Over coffee 
in his living room, he shows them an amazing collection of American jazz 
records. A Smithsonian-grade collection of incredibly rare 
vinyl. 
He explains 
to them (in Norwegian, which nobody in the band speaks) that his brother in 
America sent him all these records. His brother says everything's better in 
America. Maybe he's right. This guy has never been to America, he's never been 
out of Norway. He's never played the records, because he doesn't have a record 
player, just a radio.     
The musicians 
are tremendously impressed at his record collection and his obvious religious 
devotion to American jazz. They escort him outside, plunk him in a comfy chair, 
and play him a live set of the finest American bepop on Earth. 
He's delighted and thrilled; this sort of thing doesn't happen in his 
yard every day. Then he gets in their car and guides them to the nearest big 
town, everybody's having the time of their life. 
Do you folks know about Oleana? Every kid in America (I think) 
sooner or later learns this song, but has no idea what the heck it's 
about. 
Oh to be in Oleana 
That's where I long to be 
Rather than live in Norway 
Wearing the chainst of slavery 
Ole-Oleana, Ole-Oleana 
Ole Ole Ole Ole Ole Oleana 
In Oleana little piggies 
Run through the city streets 
Inquiring very politely if 
A slice of ham you'd like to eat 
Ole-Oleana, Ole-Oleana 
Ole Ole Ole Ole Ole Oleana 
Okay so I finally found out about this verkakte song. (David 
Mamet has a play, "Oleana." Has everybody heard my vulgar David Mamet 
joke?) It was originally a Norwegian song.  
Norway's most famous 19th century musician, one of Europe's 
mega-superstars, was the violinist Ole Bull, on a level with Paganini and Fritz 
Kreisler (sp?).  
So finally Ole Bull becomes convinced that his native land is 
not paying him sufficient honor, statues, postage stamps, that sort of thing. So 
he leaves Norway in very loud public disgust, swearing never to return, and 
founds a Utopian community somewhere in Pennsylvania USA. Which lasts less than 
a year, it completely blows up in bickering anarchy. 
So the Norwegians wrote this song about him to say goodbye. (I 
think he crawled back to Norway.) 
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