GG RE: Howard Scott <query>

["Junichi Miyazawa" <farnorth@mbc.sphere.ne.jp>]

I got a snail mail address of Howard Scott
and sent him a letter but no reply so far.

I quote some of the questions I asked Howard Scott.
Could anyone answer any of them on behalf of him?:

>>Being the producer of the Italian Concerto,
>you are not only one of the most important casts in the film,
>but also one of the precious witnesses of Glenn Gould.
>Let me ask you some question on the recording scene of
>the piece in the film (GG *On* the Record).
>
>Q1.  Besides GG, there were at least four people in the 
>control room of the 30th Street Columbia Studio.
>Could you please give their formal names and 
>their job titles respectively?
>
>  A.  Howard Scott, producer (it is you!);
>  B.  a man who might have been in front of the tape deck;
>with a cigarette between the fingers of his left hand (is he
>a recording engineer?)
>  C.  a man in front of the mixing console with moustach and a necktie,
>  who had his shoulders massaged and 
>  was most probably be called "Fred"(is he a mixer, controlman?)
>  D.  a man behind "Fred" who massaged "Fred'"s shoulder
>
>  I caught someone called "Bob".  Is Bob Mr.B or Mr.D?
>
>Q2.  Is the photographer who took photos of Gould during
>an intermission  Don Hunstein?
>
>Q3.  If you don't mind, could you give me your brief CV
>including your birth year, your career at CBS, etc.?
>
>Q3a.  I am sure you made a lot of recordings with many
>faimous artists.  Could you name some of them?
>Among such non-Gouldian recordings, what do you think 
>is/are the most successful albums.

Thank you in advance.

Regards,

Junichi